THE STANDARD GROOVE

Glen Campbell — Wichita Lineman (1968) · Bass: Carol Kaye

“The pick bass every producer wanted.”

Jay, Bass Player

What gear does it take to get this tone?

Cheat SheetFor Vol.02

Carol Kaye

A sunburst Fender Precision with medium-gauge Fender flats. She played with a very hard plastic pick and taped a doubled-up piece of felt on top of the strings, just in front of the bridge. Amps: a Super Reverb in the early ’60s, Versatone later in the decade.

If you’re a pro

Total budget약 ₩943만~$7,100+

  1. 1Bass1963 Precision · Custom Shop 1960
  2. 2StringsFender 9050M flats
  3. 3PickA very hard teardrop pick
  4. 4MuteDoubled felt, on top of the strings
  5. 5AmpFender Super Reverb
  6. 6HandsNear the end of the neck · wrist
  7. 7Bass volume⅔Carol Kaye: bass volume at 2/3 at most. She changed the tone with the knobs, song by song.

Setup in 3 lines

  1. Connect

    Bass → cable → Super Reverb. To record, put a mic in front of the amp. Until the late ’60s Carol Kaye was always miked through the amp, with no compression or EQ.

  2. Knobs

    Bass volume at 2/3, and play near the neck end. Start the amp at bass 1 o’clock, mid 12, treble 11. For a warmer sound, turn the bass up a little and the treble down, as Carol Kaye puts it.

  3. Warm-up

    The Super Reverb is a tube amp. Fender suggests 15 seconds to a few minutes of warm-up, but I leave it on for 15 to 30 minutes and play once the sound has settled. Reverb and vibrato at 0.

  • Fender Custom Shop 1960 Precision Bass RelicFender Custom Shop 1960 Precision Bass RelicFender Custom Shop 1960 Precision Bass RelicCustom Shop · stock varies by store약 ₩633만$4,775

    A 1960 Precision from the Custom Shop, with a worn-in relic finish and early-’60s specs. In Vol.01 I chose the 1963 Journeyman; here I went with the 1960, closer to when Carol Kaye picked up the bass. Swap the strings for 9050M as soon as it arrives.

    Official site네이버 가격비교
  • Fender Precision Bass, 1963Fender Precision Bass, 1963Fender Precision Bass, 1963Vintage · current listings약 ₩1,660만~2,120만$12,500–16,000

    A Precision from 1963, the year Carol Kaye switched to bass. But apart from the year, every listing is different: refinished bodies and replaced parts are mixed in. Don’t buy from photos alone. There’s no record of the exact year of her own bass.

    See on eBay
  • Fender 9050 Stainless Flatwound (9050M · 9050ML)Fender 9050 Stainless Flatwound (9050M · 9050ML)Fender 9050 Stainless Flatwound (9050M · 9050ML)Her strings · Fender medium flats약 ₩46,000$34.99

    Carol Kaye wrote that she used medium-gauge Fender flats in the ’60s. Today’s Fender flat is the 9050: the 9050M at .055–.105, and one step lighter, the 9050ML at .050–.100. Hit hard with a pick and the M holds up better. If it’s tough on your hands, go ML.

    Official site네이버 가격비교
  • Fender 358 Shape Classic Celluloid Picks, Heavy (12 pack)Fender 358 Shape Classic Celluloid Picks, Heavy (12 pack)Fender 358 Shape Classic Celluloid Picks, Heavy (12 pack)The teardrop shape she described · heavy약 ₩8,000~9,300$5.99–7.00

    Carol Kaye said she used a very hard, teardrop-shaped plastic pick, without naming a brand. The Fender 358 is a small teardrop in celluloid. Go heavy. It’s small, so it may twist in your fingers at first; hold it firmly and play from the wrist.

    Official site네이버 가격비교
  • Fender '65 Super ReverbFender '65 Super ReverbFender '65 Super ReverbToday’s reissue of her early-’60s amp약 ₩305만$2,299.99

    Carol Kaye says she used a Fender Super Reverb, an open-back 4×10, in the early ’60s. This is today’s remake of the ’65 version. It’s a guitar amp at heart, so pushing hard lows strains it. Keep the volume low and mic it.

    Official site네이버 가격비교

If your budget has room

The bass doesn’t have to be American. A Mexican Fender is plenty. On the instrument side this is almost the same as the Vol.01 cheat sheet, because both are ’60s Precisions. So I listed different models first here, and the Precisions from Vol.01 work just as well. What sets this sound apart is the pick, more than the bass.

Total budget약 ₩350만~$2,640+

  1. 1BassFender Precision · USA or Mexico
  2. 2StringsFender 9050ML flats
  3. 3PickA hard pick
  4. 4MuteDoubled felt, on top of the strings
  5. 5AmpTone Master Super Reverb
  6. 6HandsNear the end of the neck · wrist
  7. 7Bass volume⅔

Setup in 3 lines

  1. Connect

    Bass → cable → Tone Master Super Reverb. To record, use the line out on the back panel.

  2. Knobs

    Bass volume at 2/3. Start the amp at bass 1 o’clock, mid 12, treble 11. If the room booms, bring the bass down first.

  3. Finish

    Fold the felt in two and tape it on top of the strings, just in front of the bridge. In Carol Kaye’s words, a 25-cent mute works.

If you’re just starting

This is probably where most of you will look. With one pick and a scrap of felt, even a starter bass gets that flavor. The pack below is the same one as in Vol.01.

Total budget약 ₩50만$376

  1. 1BassSquier Precision
  2. 2StringsStock strings
  3. 3PickA hard pick
  4. 4MuteA scrap of felt · tape
  5. 5AmpRumble 15
  6. 6HandsNear the end of the neck · wrist
  7. 7Bass volume⅔

Setup in 3 lines

  1. Connect

    Bass → cable → Rumble 15. That’s it.

  2. Knobs

    Bass volume at 2/3, tone open to start. Rumble 15 at bass 1 o’clock, mid 12, treble 11.

  3. Finish

    Pick from the wrist, not the arm. Downstroke on the downbeat, upstroke on the upbeat. Carol Kaye always stressed this.

The last step is your ears

Even with all the gear right, your first sound won’t match. That’s normal. Switch between the record and your own sound, and find your case below.

  1. The “click” is too loud

    Change the pick or roll the tone knob down a little. The thinner the pick, the more it clicks. Carol Kaye says you won’t hear a click unless you set more treble.

  2. The notes ring on too long

    The felt isn’t touching enough. Check it’s doubled and tape it right in front of the bridge. When the note ends with a “thunk,” you’ve got it.

  3. The sound is thin and sharp

    Move your picking spot toward the end of the neck. Carol Kaye never picked next to the bridge; she said the sound is near the end of the neck.

  4. You need the thickness of a fingerstyle sound

    Keep the pick and roll the tone knob down. Carol Kaye used one hard pick and just turned the knobs to go between a thick “fingers” sound and a bright, clicky one.

  5. The time keeps rushing

    Pick from the wrist, not the arm. Down on the downbeat, up on the upbeat. When your hand travels back and forth with the beat, it stops rushing.

  6. The low end booms in the room

    Turn the amp’s bass down. Carol Kaye also says cutting the bass is sometimes necessary when the room booms. Then move the amp a hand’s width off the wall.

The pick is the kick. If it sounds off, change the pick first.

In all three: with a pick, near the end of the neck, from the wrist.

Prices: US retail, 2026-10-23.

To get this pick sound into your hands, start here.

Practice

For Vol.02: The Session Player's Touch. Like 1960s L.A. Studio Pop.

Standard Groove Original TrackOriginal creation · Unauthorized editing prohibited

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Sheet Music — Bass Tab · PDF
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