THE STANDARD GROOVE

John Mayer Trio — Who Did You Think I Was (Live at the House of Blues, Chicago, 2005) · Bass: Pino Palladino

“Living in the pocket.”

Reverb — Living in the Pocket: A Pino Palladino Bass Retrospective

What gear does it take to get this tone?

Cheat SheetFor Vol.04

Pino Palladino

A 1963 Precision, sunburst, flatwounds. Volume all the way up, tone all the way down. The right hand keeps the other strings quiet, and the palm mutes the strings in front of the bridge. On stage with the Trio: an Ashdown ABM 900 and an 8×10.

If you’re a pro

Pino’s main bass is an early-’60s Precision. The vintage pick is the same 1963 Precision as in the Carol Kaye sheet (Vol.02), and the signature is the Custom Shop’s blend of his ’61 and ’63. The set budget is based on the vintage. The amp is the current head from the Ashdown line he used on the trio stage.

Total budget약 ₩1,816만~$13,700+

  1. 1Bass1963 Precision · Pino signature
  2. 2StringsThomastik JF344 flats
  3. 3MutePalm · an inch in front of the bridge
  4. 4HandsFingers · right hand mutes the other strings
  5. 5AmpAshdown ABM-600 EVO IV
  6. 6CableMogami Gold
  7. 7Tone knob0%Pino turns the volume all the way up and the tone all the way down — hence 0%. Personally, I like to leave about 20–25%.

Setup in 3 lines

  1. Connect

    Bass → cable → ABM-600 → cabinet. To record, use the DI out on the back of the head. The trio’s live rig was this head’s bigger brother (ABM 900) into an 8×10.

  2. Knobs

    Volume all the way up, tone at 0 (I like 20–25%). Start the amp EQ at center and nudge only the bass up. The low end comes from the palm more than the amp.

  3. Finish

    Rest the palm 2–3 cm in front of the bridge and play. The right hand keeps the strings you’re not playing quiet.

  • Fender Precision Bass, 1963Fender Precision Bass, 1963Fender Precision Bass, 1963Vintage · the same 1963 as in Vol.02약 ₩1,660만~2,120만$12,500–16,000

    A Precision from the same year as Pino’s main instrument. His ’63 is sunburst with custom-wound pickups and flatwounds, and it comes first both in the studio and on stage. The vintage listing is the same one noted in the Carol Kaye sheet (Vol.02). Prices vary widely with condition, so this is a range.

    See on eBay
  • Fender Custom Shop Pino Palladino Signature Precision BassFender Custom Shop Pino Palladino Signature Precision BassFender Custom Shop Pino Palladino Signature Precision BassCustom Shop · ’61+’63 · ships with flats약 ₩766만$5,775

    The Custom Shop’s signature, blending Pino’s ’61 body with his ’63 neck. A relic finish with Desert Sand showing through the Fiesta Red, custom-wound pickups, and Thomastik flats (.043–.100) on it from the factory. With the strings already there, half of Pino’s tone is done when you open the case.

    Official site네이버 가격비교
  • Thomastik-Infeld JF344 Jazz Flats (.043–.100)Thomastik-Infeld JF344 Jazz Flats (.043–.100)Thomastik-Infeld JF344 Jazz Flats (.043–.100)Pino’s flats · low tension약 ₩13만$99.99

    The Thomastik Jazz Flats Pino has used for years; his signature bass ships with them. They’re known as a low-tension flat, and many players say they’re pricey but last a long time.

    Official site네이버 가격비교
  • Ashdown ABM-600 EVO IVAshdown ABM-600 EVO IVAshdown ABM-600 EVO IVCurrent head from the trio-stage line약 ₩132만$999

    The current head in the Ashdown ABM line Pino ran with the John Mayer Trio (an ABM 900 EVO III). 600 watts, a 9-band EQ, a tube preamp and a built-in compressor. The cabinet is separate; for an 8×10 like Pino’s, add the ABM-810H. For home, the Studio 10 in the tier below is plenty.

    Official site네이버 가격비교
  • Mogami Gold InstrumentMogami Gold InstrumentMogami Gold InstrumentFor recording and stage약 ₩113,000$84.95

    The same cable as in Vol.01. With the tone rolled all the way down there’s little top end, so cable differences are hard to hear. Still, not cutting out on stage comes first, so this is the one.

    Official site네이버 가격비교

If your budget has room

If the budget allows, I recommend a US-made bass first. First choice is the American Vintage II 1960 Precision; second is the Mexican Player II. The Vintera II has the same ’60s shape. Strings: Ernie Ball Smoothie Flats with Pino’s own name on them. A small Ashdown combo is enough for the amp.

Total budget약 ₩356만~$2,680+

  1. 1BassAV II 1960 · Player II · Vintera II
  2. 2StringsErnie Ball Smoothie Flats
  3. 3MutePalm · an inch in front of the bridge
  4. 4HandsFingers · right hand mutes the other strings
  5. 5AmpAshdown Studio 10
  6. 6CableAny cable you have
  7. 7Tone knob0%Pino turns the volume all the way up and the tone all the way down — hence 0%. Personally, I like to leave about 20–25%.

Setup in 3 lines

  1. Connect

    Bass → cable → Studio 10. That’s it. To record, use the amp’s line out or go straight into an interface.

  2. Knobs

    Volume all the way up, tone at 0 (I like 20–25%). Leave the Studio 10’s EQ at center, and if the room booms, bring the bass down.

  3. Finish

    For strings, the Smoothie Flats with Pino’s name. They come in two gauges: medium (.043–.108) and extra light (.038–.098).

If you’re just starting

This is probably where most of you will look. Every player’s tone comes from the hands, so it’s fine to start with a bass that doesn’t strain your wallet. A Squier Sonic or a Korean-made Swing Precision King plus a small amp is all you need. If you want the amp in the same box, there’s the same pack as in Vol.01 and 02.

Total budget약 ₩44만~$370+

  1. 1BassSquier Sonic · Swing Precision King
  2. 2StringsStock strings → Fender 9050 flats later
  3. 3MutePalm · an inch in front of the bridge
  4. 4HandsIndex and middle fingers · mute the other strings
  5. 5AmpRumble 15
  6. 6CableAny cable you have
  7. 7Tone knob0%Pino turns the volume all the way up and the tone all the way down — hence 0%. Personally, I like to leave about 20–25%.

Setup in 3 lines

  1. Connect

    Bass → cable → Rumble 15. That’s it.

  2. Knobs

    Volume all the way up, tone at 0 (I like 20–25%). On the Rumble 15, nudge the bass up and keep the treble at center. With the pack’s PJ bass, set the Jazz pickup volume to 0.

  3. Finish

    Play with two fingers, index and middle. Keep the unplayed strings quiet with the right hand. Start with the stock strings; flats can come later.

The last step is your ears

Even with all the gear right, your first sound won’t match. That’s normal. Switch between the record and your own sound, and find your case below.

  1. It sounds bright, not round

    Check that the tone really is at 0. Then check that your palm is touching the strings. The darkness of Pino’s tone comes from the tone knob and the palm, not the amp.

  2. The notes die too fast

    Move your palm about a centimeter toward the bridge. On top of the bridge nothing is damped; too far forward everything dies. Somewhere between is the spot for your instrument.

  3. Other strings ring along

    Keep the strings you’re not playing quiet with your right hand. Just resting your fingers on them is enough.

  4. The sound is so muffled it gets buried

    Try bringing the tone up to about 20–25%. Pino keeps it at 0, but I like leaving that much. Match it by switching back and forth with the record.

  5. You’re rushing ahead of the drums

    Half of Pino’s tone is the hands and half is timing. Sit behind the beat. Put on a drum beat and practice landing just slightly after the kick. The slower the tempo, the more clearly that gap shows.

    tools.thestandardgroove.com →

The record is the answer. When your ears say “close,” that’s the right setting.

In all three: tone down, palm on the strings, and the right hand keeps the other strings quiet.

Prices: US retail, 2026-10-24.

If “Who Did You Think I Was” is too hard, start here.

Practice

For Vol.04: Three-Piece Blues. Like Early 2000s Blues Rock.

Standard Groove Original TrackOriginal creation · Unauthorized editing prohibited

Standard Letter

Don't miss the next Practice.
We'll let you know about the next update by newsletter.

Full Version

For Vol.04

Sheet Music — Bass Tab · PDF
Full Track · Backing Track — MP3

Buy
STANDARD LETTER · 1ST & 16TH

FOR AUTHENTIC PLAYERS

On the 1st and 16th of every month,
one story delivered by letter.

Collection and Use of Personal Information

We collect and use the minimum personal information necessary to send this newsletter. Information collected is not used for any other purpose and is deleted immediately if the service ends or you unsubscribe.